MEET
I'm a video editor specialised in story-driven edits and colour grading — turning raw footage into visuals that don't just get watched, they get felt.
Selected works
CURATED EDITORIAL & CINEMATIC EDITS
Curated film timelines and story edits. Everything streams dynamically as it reaches your viewport with precision sound design and high retention pacing.
Conroy Campaign
One shoot, one grade, ten deliverables — 1 horizontal film + 9 vertical cuts. 1 cinematic hero film with all 9 vertical reels delivered for the campaign.
Nine vertical cuts from the same grade
GALLERY
All edits in one direct scroll. Click any card to expand into the large player.
THE TOOLKIT
The tools, software, and editing techniques I use across my projects.
Cut · Grade · Motion · SoundThe reason most edits either feel cinematic or feel flat. Primary balance, secondary isolation, split-toned shadows and highlight roll-off — building a look that carries the mood of the story instead of sitting on a LUT.
Underexposed, noisy, wrongly white-balanced, shot on the wrong settings — I can take footage a client has written off and pull a usable, good-looking cut out of it. Denoise, recover, regrade, stabilise, resharpen.
Frame-by-frame subject isolation. Type that passes behind a moving person, objects removed from a plate, selective grades that follow a face through a shot.
2D and camera tracking to pin graphics, text and replacements into moving footage so they hold their place through handheld, whip pans and speed ramps.
Identity in motion — logo builds, stingers and end cards with easing and weight that match how the brand is supposed to feel.
Type treated as a performer. Layout, timing and velocity worked so the words land on the beat and carry meaning rather than just filling frame.
Full working knowledge of the camera — exposure triangle, shutter angle, picture profiles, log capture, lens choice and movement. I can shoot the footage I'd want to be handed as an editor.
Shaping with key, fill and separation, colour temperature control and practical sources — so the grade starts from something worth grading.
The assembly room. Multi-cam sync, proxy workflows, nested sequence structures and delivery-ready exports for every platform spec.
Pushed well past template territory. Used deliberately for speed on short-form turnarounds where a same-day deliverable matters more than a round trip.
Looping overlays, animated lower thirds, scoreboards and transition stingers built to run live without dropping frames.
Dialogue cleanup, levelling and de-noising, music bedding, ducking and sound design hits. Half of how 'cinematic' an edit feels is what you're hearing.
Turning a loose brief into a treatment — reference, structure, pacing and look decided before the timeline opens.
Understanding the platform as well as the craft: hooks, retention curves, aspect ratios and what actually makes someone stop scrolling.
WHAT Ideliver
Scoped, priced and delivered per project — from a single reel to a full campaign package.
Cinematic Colour Grading
Mood-driven grading that gives footage a premium, film-like look. Shot matching across cameras, skin tones protected, a bespoke look built per project — not a preset dropped on a timeline.
Motion Graphics & Typography
Text animation, title systems and animated graphics that make content stand out and hold a viewer's eye exactly where you need it.
Reels & Short-Form
Fast-paced, trend-driven vertical edits built for reach — engineered around the hook, the beat and the loop.
Long-Form & After-Movies
YouTube episodes, event after-movies and documentary-style cuts structured for retention from cold open to end card.
High-Impact Action Edits
Heavy-editing builds — speed ramps, impact frames, camera shake rigs, compositing and effects work for edits that need to hit hard.
Trending Effects & Transitions
Viral editing styles and transitions applied with judgement, to lift engagement without making the work look disposable.
Let's cutsomethingworth WATCHING
Available for commercial edits, story-driven reels, and narrative color grading. Reach out directly via WhatsApp, call, or email.
